The Electra’s 1U rackmount enclosure provides sufficient space to accommodate a two-channel EQ with five separate bands on each channel. Yet while Scott has understandably seen no need to reinvent the metaphorical wheel of filter technology, the Electra does present its flexible feature set with a few unique twists. Whereas the Clariphonic EQ trod uncharted territory (see Sound On Sound’s September 2011 review for more on this: ), Kush’s latest EQ, the Electra, is a little more down-to-earth. They’re now widely regarded as manufacturers who combine the good aspects of well-proven designs with fresh ideas. Today, the company offer a small but interestingly diverse range of analogue audio tools including the units I’ve just mentioned, a modular monitor controller system, and a couple of well-received software plug-ins. Kush’s story began with a redesign of the Empirical Labs Fatso processor, and their recent products include the forward-thinking Clariphonic parallel EQ. New York-based Kush Audio’s chief designer Gregory Scott has developed a number of signal processors in recent years. Can Kush maintain their reputation for fine-sounding analogue gear with this interesting EQ?
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